https://img-shoplineapp-com.s3.amazonaws.com/media/image_clips/57e40b156170694600801300/xlarge.jpg?1474562835
黄鹤毛巾绣上衣-白
CRANE UNISEX FINE JERSEY T-SHIRT - WHITE
100% fine jersey cotton
Size: ・/ ⋯ / ⋯⋯(S / M / L)
Model: 女 170cm/48kg ( S ) / 男 182cm/62kg ( L )
-
采用100%精梳棉面料,相较一般棉质更柔软、亲肤。简单的素T上搭配本季主角“鹤”,图案皆为我们自己电绘设计,同时为求图案精致度与面料平整,而采用毛巾绣的方式,能使大面积的图案精致美丽,又不易使精梳棉布料产生不平整的恼人问题。
For the products of this season, we use 100%fine jersey cotton, which is much more soft and skin-friendly compared to the cotton usually used. The plain T-shirt is patterned with the crane, the protagonist of this season –all the images are designed by ourselves. Meanwhile, to make the picture more delicate and the textile neater, we use the hand-embroidered towel method to make large-area patterns look even more exquisite. This method also solves the wrinkling issues we often have when it comes to fine jersey cotton.
-
此款上衣为oversized设计,男女皆可着用,男生可当作一般Tshirt穿着,女生亦可当成one piece着用。
Designed oversized, this T-shirt is suitable for both sexes. Men can wear it as an oversize T-shirt, whereas women can wear it as a one-piece.
-
https://img-shoplineapp-com.s3.amazonaws.com/media/image_clips/57dbd7d261706911647e0300/xlarge.jpg?1474025425
https://img-shoplineapp-com.s3.amazonaws.com/media/image_clips/57dbd9226170691155270100/xlarge.jpg?1474025761
https://img-shoplineapp-com.s3.amazonaws.com/media/image_clips/57dbd9c86170693c3cf08500/xlarge.jpg?1474025926
https://img-shoplineapp-com.s3.amazonaws.com/media/image_clips/57dbd9c861706909fca18200/xlarge.jpg?1474025927
-
【设计理念 Design Concept】
本季的设计灵感来自中国唐朝诗人崔颢所写的黄鹤楼。
还记得在我们穿着制服的年代里,不论与朋友或情人相约,总会选在西门町的六号出口。现在,尽管已不再相约于此,却总是在经过时想起那些懵懂又纯真的岁月。六号出口就像是黄鹤楼,曾经昔人已去,空留自己徘徊于此,看着青春远去。六号出口,就是属于我们的黄鹤楼。
每个人的一生当中,都有着关于自己的思念或遗憾:无论是思念已别离的人,或是擦身而过的种种。有时候,却会因为一首歌、一句话、一丝气味,而想起那些曾经美好的一切。然而面对着现实,只能徒然感叹“景色依旧,人事已非”。就如同此诗所呈现的情感,望着眼前悠悠的白云,带给观者深深的愁绪。
“昔人已乘黄鹤去,此地空余黄鹤楼。黄鹤一去不复返,白云千载空悠悠。”
此次我们将运用诗句中的黄鹤、白云以及茂盛的芳草为设计主角,借由服装的设计和细节的变化传达思念的感受。
The design of this season is inspired by the poem“Yellow Crane Tower,”written by Cui Hao, a Chinese poet during the Tan Dynasty.
When we were still uniform-wearing students, Exit no.6 at Xi-min-ting was always the place we asked our friends or lovers to meet each other. Nowadays,even though Exit no.6 is no longer the popular rendezvous for us, whenever we pass by it, we feel nostalgic: nostalgic for the ages of being naive and innocent. Exit no.6 is just like Yellow Crane Tower: those who had been there are now gone, and we are left alone wandering at that place, feeling blue for the lost of our youth. Exit no.6 is our Yellow Crane Tower.
All of us, once in our lives, must have the experience of missing someone or feeling sorry about something. Sometimes, a song, a word, or a scent, may trigger our strongest nostalgia of the beautiful days we used to live in. However,facing the music, all we can do is to feel sorry that “the scenery remains, but the people changed.”
“Long ago one's gone riding the yellow crane, all that remained is the Yellow Crane Tower. Once the yellow crane left it will never return, for one thousand years the clouds wandered carelessly.”
This time, we use the images of the yellow crane, white cloud, and flourishing meadow as the protagonist of our design, in attempt to manifest the theme of lost.
产地/制造方式
台湾设计 产地中国大陆